Tuesday, 22 September 2015

Maypole Dancing and the Trinity

Many years ago I heard a lecture on missionary work by Lynn Green, the then International Director of Youth with a Mission. Lynn outlined the work of Don Richardson an American Evangelist who worked from the principle that God is always ahead of a missionary and it’s the missionary’s role to identify where God is already working and to connect with this and interpret these as signs of God at work to the community.  See Don Richardson’s books: Peace Child and Eternity in Their Hearts.

One example of this is the concepts of redemptive analogies; these are stories and traditions embedded in a culture which speak of the Trinitarian God of love.  For example Don Richardson refers to Saint Paul on Mars Hill using the altar to an unknown God as the starting point for his proclamation of the good news of Christ. He  goes on to recall stories from his missionary work of various cultures and different redemptive analogies and how building on these has resulted in the successful proclamation of the gospel.

In many ways the work of Don Richardson is similar to the work of the Catholic Missionary, Vincent Donovan, who engages in a process of dialogue with the Masai people of East Africa.  Donovan finds that in Masai culture there are many stories; which can be used to point to the one true and living God.  Donovan’s work is outlined in his seminal book “Christianity Rediscovered”.

Since I heard Lynn Green lecture I have always been asking the question: what are the redemptive analogies in English Culture that speak of the Trinitarian God?  It’s taken me many years to start to identify these and in many respects I am only just beginning but I do believe if we seek and look hard enough we will find examples and, as ever, it’s often in the most surprising of places that we find that God is a work.

May Pole Dancing
Looking for signs of God at work in English culture we perhaps should start with  one of the customs that can be seen and experienced in some rural villages today; perhaps frowned on by some as being of “pagan” origin or having aspects of fertility ritual is Maypole dancing.
I can still remember children from the village school performing a Maypole dance at the village fate in rural Worcestershire and on arriving in the Yorkshire Dales finding that a number of villages still have Maypoles. Those villages include Kettlewell, Kilnsey, Burnsall and Thorpe and in starting work for the Diocese of Ripon and Leeds noted that some villages have incredibly tall Maypoles. It almost seems that they wish to outperform one another by having a taller Maypole.  These villages include Nun Monkton, Aldborough and Barwick-in-Elmet Maypole who have their own Maypole Trust and Facebook page https://www.facebook.com/barwickmaypoletrust



The Dance of the Trinity
One of the ways that theologians describe the Trinity is as a dance, with each person of the Trinity being in motion around one another so although they are three persons they are also one as they are in in a dance with one another like particles in an atom; held together like gravity by love yet moving in dynamic relationship. In our Christian life we are also called to enter in to this dance with the Trinity and with others in relationship in community.


So in looking for redemptive analogies in our English culture we can look at the tradition of Maypole dancing and see the patterns of interrelationship weaving a beautiful design as the brightly coloured ribbons are woven as the dancers dance around the Maypole. None of the interact patterns being possible unless the dancers where moving and responding to the moves made by other dancers.